
The composer C.F.E. Hornemann conducted the choir in the years 1878-1883.
Hornemann is probably best known for the opera "Aladdin"
The composer C.F.E. Hornemann conducted the choir in the years 1878-1883.
Hornemann is probably best known for the opera "Aladdin"
H. Frederiksen | 1857-1859 |
Gottschacksen | 1859-1861 |
Hildebrandt | 1861-1870 |
H. Frederiksen | 1870-1872 |
W. Vater | 1872-1878 |
C.F.E. Hornemann | 1878-1883 |
Johan Bartholdy | 1883-1892 |
Vilhelm Rosenberg | 1892-1907 |
Poul Hellmuth | 1907-1916 |
Vilhelm Rosenberg | 1916-1925 |
Ikke oplyst! | |
Alfred Strandqvist | 1930-1936 |
Ikke oplyst! | |
Richard Østerfeldt | 1938-1946 |
Cai Wendelboe-Jensen | 1946-1949 |
Richard Østerfeldt | 1949-1957 |
Finn Reif | 1957-1960 |
Preben Meile | 1960-1964 |
R. Kaufmannas | 1964-1968 |
Gunnar Svensson | 1968-1976 |
Carl Sanger | 1976-2003 |
Thomas Berglund | 2003-2006 |
Marco Lorenzo | 2006- |
F. Hansen | 1857-1858 |
T. Ottesen | 1858-1867 |
Duusen | 1867-1869 |
Chr. Borch | 1869-1870 |
J.C. Nielsen | 1870-1874 |
Chr. Borch | 1874-1879 |
P. Petersen | 1879-1894 |
Carl Landau | 1894-1907 |
Chr. Schouw | Ikke oplyst! |
A.L. Lund | Ikke oplyst! |
Frederik Abildrose | 1930-1957 |
Kaj Å. Folvig | 1957-1960 |
Poul Sørensen | 1960-1970 |
Svend Dohm | 1970-1972 |
Alice Sibbern | 1972-1975 |
Hans J. Hansen | 1975-1986 |
Torben Larsen | 1986-1991 |
Else Böhme | 1991-1995 |
Eliza Bihlet | 1995-1996 |
Else Böhme | 1996-2009 |
Helle M. Schultz | 2009-2010 |
Torben Larsen | 2010-2011 |
Ellen Stevenson | 2011- |
Section of the Hornemann original score for festkantaten
Hornemann composed and dedicated a festcantate to the choir on the occasion of Ydunkorets 25 th anniversary in 1882. He also composed a cantata for the opening of the famous Tivoli Concert Hall which Ydunkoret premiered .
Photo from the members magazine "Idun" from a song festival in Aalborg in 1907
Ydunkoret, as a purely male choir in the late 1950s. In front of the choir's longterm conductor, Richard Baltic Feldt.
The years passed with rehearsals, concerts, radio broadcasts and a social gatherings. The solidarity and camaraderie was good - both in good and in bad times. During periods of unemployment and war they helped each other. They sang their heart's content to bring light to otherwise dark times. In the 1950's membership dwindled unfortunately. In 1963 someone had the bright idea to offer women acces to membership of the choir - and this helped.